With the Final Saga pushing deeper into the mysteries of the Moon People and the ancient world, fans are scrutinizing every background detail Oda has ever drawn — and a group of Japanese theorists may have just cracked one of the biggest secrets hiding in plain sight. If this theory is correct, the three mysterious figures carved into a ancient mural aren’t just nameless historical footnotes: they could be the divine origin of One Piece’s most iconic fire-wielding trio, and the key to understanding what Nefertari Imu truly is.
The Theory
The three Moon People depicted in an ancient mural — who descended to the Blue Star seeking energy resources — were the sons of the Moon God, and they are the mythological predecessors of Monkey D. Luffy, Portgas D. Ace, and Sabo, all three of whom wield fire-based powers.
This theory connects one of One Piece’s oldest unexplained visuals — the ancient mural featuring three weeping figures — to the “D.” lineage and the recurring motif of three flame-users. The stakes are enormous: if the Moon People’s three sons mirror Luffy, Ace, and Sabo on a cosmic level, then the brothers’ bond isn’t just a found-family story. It may be the re-enactment of a divine tragedy written into the stars 800 years ago — and Imu’s Devil Fruit may be the very power those three sons once carried.
Evidence from the Manga
- Chapter 1066 (and the Egghead Flashback): Vegapunk’s research into the Moon People — the Birkans, Shandians, and Skypieans — confirms that their ancestors left the Moon and came to the Blue Star in search of energy resources. This is the canonical foundation for the “three figures who descended” reading. Their civilization predates the Void Century, suggesting a mythology older than the World Government itself.
- Ancient Mural (Skypiea Arc, Chapter 254–255): The mural on Skypiea depicts three distinct figures, clearly separated from the broader Moon civilization. They are shown with emotional farewell imagery — tears, separation — before their descent. The specific grouping of three, paired with the emotional weight of the parting, is visually parallel to the “three brothers” iconography Oda uses for Luffy, Ace, and Sabo.
- Chapter 1086 — Imu’s True Nature: The revelation that Imu possesses some form of monstrous, possibly transformative power — with theorists noting the lower body appearing distinctly inhuman — connects to the idea that Imu may have consumed a Devil Fruit tied to the Moon God lineage. The theory posits that this is the same ancient power the three mural figures once wielded, now consolidated under one ruler.
📌 Key Evidence: Imu’s lower body, as glimpsed during the Lulusia destruction sequence and later chapters, appears dramatically non-human — tentacular or serpentine in nature. If Imu ate a Devil Fruit descended from the Moon God mythology, this physical transformation mirrors the “divine body” concept frequently associated with ancient celestial beings in One Piece lore.
- Luffy, Ace, and Sabo — Three Flame Users (Chapters 556, 744, 1045): All three brothers wield fire or fire-adjacent powers: Ace’s Mera Mera no Mi (flame), Sabo’s inherited Mera Mera no Mi, and Luffy’s Gear Fifth Sun God Nika form, which generates heat and is associated with the “flame of liberation.” Three brothers, three flame powers — this is not incidental. Oda is deliberate with numerical and elemental symmetry.
📌 Key Evidence: The bag or sack carried by the figures in the ancient mural has been flagged by Japanese theorists as visually similar to objects seen elsewhere in the series — potentially linking the Moon People’s energy-seeking mission to the “resources” (possibly Devil Fruits themselves) that were distributed or hidden across the world. If Devil Fruits originated from the Moon civilization’s technology, the three sons of the Moon God may have been their first — and most powerful — wielders.
- The “D.” Name as Divine Lineage (Chapters 763, 1085): Donquixote Rosinante told Law that those who carry the “D.” are the natural enemies of the Celestial Dragons — the self-proclaimed descendants of gods. If the Celestial Dragons falsely claim divine origin, then the true divine lineage must exist somewhere. The three sons of the Moon God, reincarnated across generations as D.-carriers with fire powers, would make the “D.” not just a clan name but a cosmic role.
| Ancient Moon Trio (Mural) | The Three Brothers (Modern) |
|---|---|
| Three sons of the Moon God | Luffy, Ace, Sabo (adopted brothers) |
| Descended to Blue Star for energy | Rose from the weakest seas to reach the top |
| Wept at separation, parted ways | Separated by death (Ace), exile (Sabo’s memory loss) |
| Associated with fire/energy powers (theorized) | All three wield flame-based Haki or Devil Fruits |
| Carried a mysterious bag/resource | Each carries a “will” passed down — Ace’s fruit, Luffy’s dream |
Our Analysis
What makes this theory genuinely compelling is not any single piece of evidence, but the way Oda has consistently structured his narrative around triads. The three ancient weapons, the three admirals, the three Yonko seats Luffy fills the gap of — and now, potentially, three divine brothers at the origin of history itself. Oda’s world is built on echoes, and the idea that Luffy, Ace, and Sabo are the latest resonance of a Moon-era trio is exactly the kind of mythological layering he has been building toward since Skypiea. The mural was never adequately explained. That is deliberate.
The Imu connection is the most speculative element, but also the most exciting. If Imu’s Devil Fruit is derived from — or is a corrupted version of — the power the three Moon sons once wielded collectively, it would explain why Imu is so disproportionately powerful: they hold what was meant to be split three ways. This also reframes the brothers’ arc tragically: Ace’s death wasn’t just a story beat, it was the second time in history that the triad was broken, the power concentrated rather than shared. Luffy’s mission to become King of the Pirates may, on a cosmic level, be about restoring the balance the Moon God’s sons once represented.
The weakest link in this theory is the visual evidence for the “bag” carried by the mural figures. Without a clearer canonical anchor for what that bag contains or represents, the leap to Devil Fruit origins remains a stretch. However, Oda has a long history of seeding details in background murals and artwork that pay off 400–500 chapters later — Skypiea’s mural alone has been waiting over 20 years for full explanation. Given the Final Saga’s accelerating reveals about the Moon People and the Void Century, we may not have long to wait for confirmation or refutation.
Theory Credibility Rating
Based on manga evidence and foreshadowing
The structural and thematic parallels between the mural trio and Luffy’s brotherhood are strong, but the theory relies heavily on visual interpretation and symbolic reasoning rather than explicit manga text — earning a solid mid-range score that could rise sharply if the Final Saga delivers more concrete Moon People lore.
Source: https://www.youtube.com/shorts/WwhmS1I30uw
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